![]() The 13 Pro’s highlights are dimmed, marking more true-to-life color enhancements and sharper dynamic range than the 12 Pro.Īs fanboys who hardly dig optical zoom, the 13’s Pro 3x tele does the focal length justice. ![]() When shooting video, there’s no doubting the difference in skin tone between the two. The difference is rather striking, most of our comparisons result if much more miniscule results. However, the 13 Por’s exceptional detail and clarity blows past the 12 Pro, almost seeming as if there were a built-in ND filter applied to the latest model. Off-panel color profiles and highlights can be tricky to edit during post-processing, despite shooting in RAW. While the 12 Pro’s footage looked visibly more overexposed, the iPhone 13 Pro’s colors looked slightly over-processed at times, but not enough to warrant concern. Even Niles at first glance noticed how well the depth-of-field on the 13 Pro is compared to the 12 Pro. The visual comparison flashes on the screen are wildly helpful, and often more convincing than a drab paragraph of words. If you haven’t watched our YouTube video yet, I invite you to do so. ![]() Worth noting that it’s only applicable to 1080p HD recording at 30 frames per second (fps). Although imperfect and initially gimmicky, when utilized under proper lighting conditions it delivers smooth, highly-effective cinematic goodness. When two subjects are placed in the frame, Cinematic Mode focuses on whoever is closer until the closer subject turns away, thus shifting to the further away subject in the frame. Think of it as “Portrait Mode” for the moving subject, a blurred bokeh-licious background while subject-tracking a moving focus. What might be the most oblivious (and perhaps most exciting) upgrade from the 12 Pro to the 13 Pro is Apple’s introduction to cinematic mode - a comprehensive, yet simple-to-use feature bringing cinema-level quality to your phone. Apple continues how their smartphone’s high megapixel count process inside the camera, meaning each upgrade’s software change will inevitably be better than its predecessor. ![]() Toss in the highly anticipated cinematic mode and macro photography on the new model and you have a clear winner. The wide aperture, optical zoom, sensor size, pixel count, and low light capabilities boast better specs on the iPhone 13 Pro. Safe to note the camera system on the iPhone 12 Pro features similar configurations to the 13 Pro, but still loses the battle. Since these devices are miniature computers with tiny cameras, much of their photo magic occurs in the software that captures the images and the invisible processing that occurs behind-the-scenes. While the actual hardware changes appear more evolutionary than revolutionary, we’ve learned that there’s lots more than megapixels and aperture that go into the final results of smartphone photos. Pro 12MP camera system: Telephoto: ƒ/2.8 aperture, Wide: ƒ/1.5 aperture, Ultra Wide: ƒ/1.8 aperture and 120° field of viewģx optical zoom in, 2x optical zoom out 6x optical zoom range Oh, and cinematic mode, of course.Ī15 Bionic chip - 6‑core CPU with 2 performance and 4 efficiency cores The most obvious change is the addition of a3x optical zoom in, 2x optical zoom out 6x optical zoom range on the 13’s Pro lineup, while the updates to the standard wide lens are small but meaningful. The most obvious things that affect photo output between the iPhone 12 Pro and iPhone 13 Pro are the improved technical specs of the cameras.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |